
One of our greatest dreams when coming to France was the possibility that we might - just might - get to see some of the great manuscripts in which the music that we sing appears. In particular, we dreamed of seeing the Chansonnier Cordiforme, our own personal grail. This manuscript appears on the cover of our debut album, and it contains several of the songs we sing.

What we never expected in our wildest dreams was that this wish of our hearts was going to come true within two weeks of setting foot on French soil! We are surrounded by good fairies here in Paris, and Marie-Odile Masek is the Faerie Queen. She waved her magic wand and the miracles began. With the help of sweet Pierrette, we were taken into the bowels of le Bibliotheque Nationale de Paris, led blindfold (well not really, but we might as well have been) through vaults and corridors and up and down circular staircases until we felt we were in the center of the earth. And there, waiting for us on a bed of red silk was the chansonnier itself.

What a beautiful manuscript! It is shaped like a heart -- one heart when closed, two hearts nestled side-by-side when open. We love all of the symbolism in its form alone. It is covered with red velvet, and now we know what true velvet is. It was the thinnest velvet we have ever seen, worn with the years and faded, but absolutely even, and softer than anything we have ever felt.
But our true amazement came when we looked inside. We had expected faded yellow parchment and rusty colors, dimmed through centuries. I mean, my friends, we are talking about five and one half centuries of time!!! Our breath caught in our throats -- the vellum of the pages was a brilliant white. There is only a small area for music in the center of each page, completely surrounded with complex illuminations of vines and flowers.

They were a riot of color, and the inks of the illuminations gleamed from the white vellum like jewels. We have never seen anything so vibrant. We realised then, in a way we never had before, that special manuscripts like these are not just vehicles for music -- a mere record of notes -- but are, in and of themselves, exquisite works of art -- jewel boxes full of treasures.

Our third good fairy, Marie Therese, turned every page for us, one by one, so that we could see the songs we have so loved as they were originally printed, and study these glorious paintings. The illuminations are so small and yet so complete. On each page there is an animal, bird, insect or person (and sometimes a strange creature combining all three!) cunningly drawn within the encircling vines. Each has a life all its own, even the snail -- a personal favorite!

As we looked, we discovered something we had never seen in a manuscript before: the illuminations that appeared on the front side of each page were copied exactly on its back side in a mirror image. We realised that this was part of the secret of the gleamingly white vellum -- the inks were exactly placed on one side of the page to match the reverse side, and so there was no bleed-through of the ink in the white spaces between the leaves and tendrils. The inks were brighter and the white was untouched! The vellum was unusually white to begin with, but with this technique it was pristine.
This was not true, of course, with the music, which had a different song on each side of the sheet. Here you could see exactly how much the ink would normally bleed through the vellum. The effect, although still clean, is much less brilliant. The notes themselves were written in a perfect, even hand, miniscule in size, and yet each one perfectly clear.

And then, the page was turned and we found our beloved friend, "Le souvenir de vous me tue," the title song of our album. We could not help ourselves. Then and there, we sang this beautiful melody for the women who have protected this book so lovingly. It was wonderful to see the discovery in their faces as they heard its spirit brought to life.
With good fairies like this,what shall we dream of next??
Le Souvenir de Vous